In Seattle, detective Quentin Conners is unfairly suspended and his partner Jason York leaves the police force after a tragic shooting on Pearl Street Bridge, when the hostage and the criminal die. During a bank heist with a hostage situation, Conners is assigned in charge of the operation with the rookie Shane Dekker as his partner. The thieves, lead by Lorenz, apparently do not steal a penny from the bank. While chasing the gangsters, the police team disclose that they planted a virus in the system, stealing one billion dollars from the different accounts, using the principle of the Chaos Theory. Further, they find that Lorenz is killing his accomplices.
Credits: TheMovieDb.
Film Cast:
- Det. Quentin Conners: Jason Statham
- Det. Shane Dekker: Ryan Phillippe
- Lorenz / Jason York: Wesley Snipes
- Capt. Martin Jenkins: Henry Czerny
- Det. Teddy Galloway: Justine Waddell
- Det. Vincent Durano: Nicholas Lea
- Karen Cross: Jessica Steen
- Bank Manager: Rob LaBelle
- Det. Bernie Callo: John Cassini
- Brendan Dax: Damon Johnson
- Harry Hume: Paul Perri
- Marnie Rollins: Keegan Connor Tracy
- Gina Lopez: Natassia Malthe
- Damon Richards: Ty Olsson
- Chris Lei: Terry Chen
- Officer MacDunner: Ken Medlock
- Xander Harrington: Michasha Armstrong
- Lamar Galt: Mike Dopud
- SWAT Commander: Garvin Cross
- Det. Thomas Branch: Fulvio Cecere
- Forensics Technician: Iris Paluly
- Conner’s Girl: Angelique Naude
- John Curtis: Gaston Morrison
- Sniper #1: Michael Adamthwaite
- Sniper #2: Nigel Vonas
- FBI Agent Doyle: Bill Mondy
- Mrs. Callo: Kristina Agosti
- Officer at Callo House: Emy Aneke
- Emergency Medical Technician: James Ashcroft
- Det. Jerome Knight: Mike Mitchell
- Pretty Waitress: Pascale Hutton
- Stewardess on Private Plane: Tiara Sorensen
Film Crew:
- Casting: Heike Brandstatter
- Producer: Gavin Wilding
- Writer: Tony Giglio
- Costume Design: Bobbie Read
- Original Music Composer: Trevor Jones
- Casting: Coreen Mayrs
- Director of Photography: Richard Greatrex
- Production Manager: Michael Derbas
- Stunts: Owen Walstrom
- Editor: Sean Barton
- Art Direction: Nancy Ford
- Set Decoration Buyer: Diana Conway
- Art Department Coordinator: Jaydene Maryk
- Production Design: Chris August
- Set Decoration: Terry Ewasiuk
- Construction Coordinator: Charles Leitrants
- Art Direction: Paolo G. Venturi
- Music Editor: Graham Sutton
- Scenic Artist: Carole Kelly
- Set Costumer: Luisa Dalmagro
- Set Costumer: Ardyth Cleveland
- Script Supervisor: Jeannine Dupuy
- Hairstylist: Catherine Graham
- First Assistant Editor: Tasim Persaud
- Sound Re-Recording Mixer: Sven Taits
- Music Editor: Neil Stemp
- Transportation Coordinator: Jake Callihoo
- Sound Effects Editor: Rick Dunford
- Visual Effects Producer: Justin Peyton
- Gaffer: Jeff Upton
- Steadicam Operator: Dean Heselden
- Still Photographer: Brian Cyr
- Location Manager: Geoff Teoli
- Unit Publicist: Bill Vigars
- Camera Operator: Dan Mannix
- Unit Publicist: Jackie Bissley
- Still Photographer: Douglas Curran
- Digital Intermediate: Steve Shaw
- Camera Operator: Gary Viola
- Best Boy Electric: Chris Cochrane
- Gaffer: Mark Clayton
- Location Manager: Kirk Adamson
- Camera Operator: David Frazee
- Camera Operator: Joel Guthro
- Rigging Gaffer: Rod Newby
- Sound Re-Recording Mixer: Adrian Rhodes
- Stunt Coordinator: Cole S. McKay
- Stunts: Laura Lee Connery
- Stunts: Dan Shea
- Stunts: David Mylrea
- Stunts: Shawn C. Orr
- Stunts: Ron Otis
- Stunts: Jacob Rupp
- Stunt Double: Michael Langlois
- Stunt Double: Dave Hospes
- Stunt Double: Scott Nicholson
- Stunts: Chad Sayn
- Stunts: Michael Roselli
- Stunts: Angela Uyeda
- Stunts: Danny Virtue
- Stunts: Brad Loree
- Stunts: Jon Kralt
- Stunts: Alex Green
- Stunts: Caroline Field
- Stunts: Colin Decker
- Stunt Double: Scott J. Ateah
- Stunts: Mike Crestejo
- Utility Stunts: Greg Dela Riva
- Stunts: Duane Dickinson
- Stunts: Brett Chan
- Stunts: Ed Anders
- Stunt Double: Doug Chapman
- Armorer: Ron Blecker
- Lead Painter: Mark N. Tompkins
- Producer: Huw Penallt Jones
- Stunt Double: Rick Pearce
- Stunts: Marny Eng
- Production Assistant: Ed Holden
- Stunts: Crystal Dalman
- ADR Editor: Daniel Laurie
- Foley Artist: John Fewell
- Second Unit Director: Andy Armstrong
- ADR Editor: Richard Todman
- Sound Mixer: James Kusan
- Additional Photography: Danny Cohen
- Foley Artist: Lucy Barnes
- Dialogue Editor: Michael Feinberg
- Property Master: Andy Nieman
- ADR Recordist: Alexander Beddow
- Second Unit Director of Photography: Brian Pearson
- Boom Operator: Jon Lavender
- Foley Artist: Ruth Sullivan
- ADR Mixer: Peter Gleaves
- Second Unit Director of Photography: Rolf Dekens
- Sound Supervisor: Peter Baldock
- First Assistant Hairstylist: Sharon Mosley
- Focus Puller: Taylor Matheson
- Makeup Artist: Susan Howard
- Costume Set Supervisor: Kathy Linder
- Hair Designer: Anne Spiers
- Set Costumer: Carolyn Bentley
- Dolly Grip: Ryan Monro
- Electrician: Don Gillie
- Key Grip: Jeff Smith
- Assistant Costume Designer: Cathy Darby
- ADR Voice Casting: Brendan Donnison
- Focus Puller: Dermot Hickey
- Dolly Grip: Jack Cruikshank
- Grip: Gregg Campbell
- Rigging Grip: David Neveaux
- ADR Voice Casting: Vanessa Baker
- Assistant Hairstylist: Sharon Markell
- Key Makeup Artist: Tanya Howard
- Casting Coordinator: Errin Lally
- Extras Casting: L.A. Hilts
- First Assistant Director: Hugo Mellor
- Second Unit First Assistant Director: Sam Harris
- Second Assistant Director: Debra Herst
- Gaffer: Darren McLean
- Second Assistant Camera: Heidi Buecking
- Assistant Property Master: Max Matsuoka
- First Assistant Camera: Sean Elliott
- Focus Puller: Nick Watson
- Focus Puller: Dan Henshaw
- Focus Puller: Dan Shoring
- Digital Intermediate: Andrew Dearnley
- Main Title Designer: Phil Man
- Set Decorating Coordinator: James Robert ‘J.R.’ Davis
- Grip: Doug Reynolds
- Grip: David Hermansen
- Senior Colorist: Tim Waller
- First Assistant Director: Jonathan McGarry
- Generator Operator: Rob Lee
- VFX Artist: Andrew Keys
- Second Assistant Director: Karen Margolese
- Music Supervisor: Marc Marot
- Key Grip: Harvey Fedor
- Loader: Andy Hill
- Grip: Sandy MacDonald
- Second Assistant Camera: Randy Peterson
- Colorist: Crystal Pei
- Armorer: Rob Fournier
- Assistant Property Master: Phil Gough
- Rigging Grip: Wilf Guttmann
- Second Assistant Director: Robert Randall
- Set Dresser: Bryan Anderson
- Costume Coordinator: Carolyn Cameron
- Extras Casting: John Awoods
- Second Assistant Camera: Chris Cove
- Special Effects Supervisor: Jonah Loop
- Digital Intermediate: Justin Lanchbury
- Loader: Vanessa Andrascik
- Second Assistant Camera: Cary Lalonde
- Visual Effects Coordinator: Michelle Reed
- Online Editor: Connan McStay
- Set Dresser: Nathalie Morin
- VFX Artist: Jonathan Cheetham
- Truck Costumer: Christina Petford
- Best Boy Grip: Anthony Creery
- Digital Intermediate Colorist: Sergio Cremasco
- Music Coordinator: Victoria Seale
- Electrician: Jesse Deacon
- Electrician: George Young
- Set Dresser: Carl Baron
- Stunt Coordinator: Melissa R. Stubbs
- Legal Services: Adam W. Rosen
- Production Accountant: Kym Crepin
- First Assistant Accountant: Carol Urquhart
- Painter: Herminio Kam
- Production Accountant: Sandra Gould
- Production Accountant: Anne Jacobsen
- Production Coordinator: Lisa Ragosin
- Second Assistant Accountant: Jane Pearson
- Production Coordinator: Robyn Wiener
- Production Coordinator: Andrea Boorman
- VFX Artist: Clare Cheetham
Movie Reviews:
- RalphRahal: Chaos is an action-packed crime thriller that tries to keep you guessing, but it leans heavily on genre clichés, which can make it feel predictable at times. Jason Statham and Wesley Snipes deliver solid performances, but the lack of character buildup early on means you don’t get too attached to anyone. The movie jumps straight into action, which might please some but leaves others craving more depth. One thing that stands out, though, is Trevor Jones’ score, especially “Incident on Pearl Street Bridge.” It perfectly captures the tension and betrayal in the story and has a haunting orchestral vibe that sticks with you.
- The cinematography deserves a shoutout, particularly the wide city shots that feel grounded and real. Unlike the overdone CGI cities in so many films today, this one immerses you in the setting, giving the movie an authentic edge. The chaos theory references are a smart touch, blending intelligence with action, though the execution isn’t always as tight as it could be. Fans of straightforward action might find the twists excessive, but there’s no denying the script had some clever moments.
- While the last act banks heavily on its big twist, it stretches the reveal a bit too far, sacrificing some depth that could’ve made the finale more satisfying. Still, if you enjoy crime thrillers with a mix of grit, betrayal, and brainy concepts, Chaos might be worth a watch. Just don’t expect it to blow your mind. It’s more like a controlled storm than pure chaos
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